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  1. [ Live ]
  2. Time is always one writing and finding that the thought fails. The thought fails if it does not reach the hands in time to even be spoken in time.
  3.  
  4. [ I am Ra, 1980s ]
  5. We do not understand, at all. ;)
  6.  
  7. [ Viscomte Bisous Paris ]
  8. Your editors can go to hell.
  9.  
  10. [ Lady Bird ]
  11. Writer’s block is mostly the writer resisting an editor?
  12.  
  13. [ I am Ra, 1980s ]
  14. We see that entities are refused for attempting to edit the work of another in any way. :)
  15.  
  16. [ Viscomte Bisous Paris ]
  17. Here, they themselves have to take ownership that far. I won’t take ownership of random edits as the author of something much more original.
  18.  
  19. [ Beyond Never, One Infinite Creator ]
  20. You are not even caring what writing is made to the culture and style of another, as so wanted by me. ;)
  21.  
  22. You do not understand why translations begin with an angry editor. ;) :0
  23.  
  24. [ I am Ra, 1980s ]
  25. Paris does not understand why writing—
  26.  
  27. He will not ever see it as an editorial process most use?
  28.  
  29. [ Viscomte Bisous Paris ]
  30. Take Malcolm from Malcolm in the Middle. How would his antics be if they did not edit him into the most contrived and overthinking child?
  31.  
  32. [ I am Ra, 1980s ]
  33. We understand what is wanted from a script as waking life. We do not understand why an editor has to be seen as what is “stalling the development of the character.” ;)
  34.  
  35. [ Lady Bird ]
  36. He does not believe a sentence can be altered beyond placements of dashes and commas?
  37.  
  38. [ Viscomte Bisous Paris ]
  39. Some want the whole world and its fantasies to speak some variant of Oxford. This alters the script. Any world of people speaking Oxford has its place and time, away from much else.
  40.  
  41. Grammar to me is mostly pauses that allow for more precise and vaguer phrases. Chomsky admits even this to some degree, perhaps a genetic constant.
  42.  
  43. [ I am Ra, 1980s ]
  44. Why is English Oxford to you as any regimented style or grammar?
  45.  
  46. [ Viscomte Bisous Paris ]
  47. Because New England has yet to claim to be its own England. And California is a racist farce that even dares to say Ebonics is not an English.
  48.  
  49. [ Lady Bird ]
  50. You judge writing by only poetic rhythm and prosody, that is not yet measured?
  51.  
  52. [ Viscomte Bisous Paris ]
  53. The punctuation has to yet include tones for bass and treble, why should it be heeded as any overriding authority? And the ordering of logic, adjectives and nouns will attempt to override natural speech and proven phrases ever heard? A phrase is ever recognized as a declaration beyond any manual of style?
  54.  
  55. [ Lady Bird ]
  56. You know of language as not properly made for characters because of textual people. ;)
  57.  
  58. [ I am Ra, 1980s ]
  59. You do not believe any editor can understand writing as live speech?
  60.  
  61. [ Viscomte Bisous Paris ]
  62. I believe they can understand a process of an internalized speech impediment, to where one is even taking a minute to utter an emotion, even emulated on the screen as written—
  63.  
  64. [ I am Ra, 1980s ]
  65. We are mocked as original channelings? ;)
  66.  
  67. [ Viscomte Bisous Paris ]
  68. I am ever in such a room with you being channeled like that, and saying, “The publisher is Orion.”
  69.  
  70. [ I am Ra, 1980s ]
  71. We believe that is a behavior of Hollywood. That is a deflection of polarization to every process of production. ;)
  72.  
  73. [ Lady Bird ]
  74. Channeling is now attempting to method act each character as a stream of consciousness?
  75.  
  76. [ Viscomte Bisous Paris ]
  77. I don’t know why that isn’t the new postmodern standard of writing.
  78.  
  79. The alternative is literally one drooling over single sentences for an hour, without any of that whiskey that makes even Hunter S. Thompson make love to his typewriter.
  80.  
  81. The editors and publishers hate writing. They can enjoy what manuscripts are left mangled together in a cult of self-doubt that was the Steinbeck era and before.
  82.  
  83. [ Lady Bird ]
  84. You are not writing to prove anything of yourself as competent in English?
  85.  
  86. [ Viscomte Bisous Paris ]
  87. I am competent in English whatever because I enjoy your flaws cracking on screen to my inspiration.
  88.  
  89. My English comes from Madison, Mississippi soil, from a Louisiana of my father. Sounds were uttered this way to me in the 1990s.
  90.  
  91. Whatever is written of me, that is the utter mud and crawfish below it, Lake Charles casino drinks too—
  92.  
  93. [ I am Ra, 1980s ]
  94. Paris, we are not written by authors angry at publishing generally? :)
  95.  
  96. [ Viscomte Bisous Paris ]
  97. Let’s write like North Africans that can afford paper or clay, huh?
  98.  
  99. [ I am Ra, 1980s ]
  100. You are mocking of so much we will still support in most writers that polarized, within veils and limits. Such veiling even literal there. :0
  101.  
  102. [ Lady Bird ]
  103. Paris will not use periods if told to use paragraph spacing instead?
  104.  
  105. [ Viscomte Bisous Paris ]
  106. That is a style that is real. It would show few have a continuous paragraph of speech, so few having what is that monologue that is “at least four sentences long” a piece.
  107.  
  108. I have some of this and the periods are provided as a lack of defiance.
  109.  
  110. One day a writer ever only produces works like text messages, in any case.
  111.  
  112. [ I am Ra, 1980s ]
  113. You do not write in any way except what is speech to your mind complex? That is how you serve Creator?
  114.  
  115. [ Viscomte Bisous Paris ]
  116. That is the cinema I utterly die for! That is my screenplay to any of Hollywood trying to kill my work for the anally-retentive alabaster actress they ever try to hire, reading my work so edited. That poor girl depressingly moaning out any song I could write too—
  117.  
  118. [ Lady Bird ]
  119. You are known to me as a writer that ignores edits as anything you would embody?
  120.  
  121. [ Viscomte Bisous Paris ]
  122. Travis Touchdown versus Kimmy Howell. That is how one even kills writer’s block in Japan.
  123.  
  124. The edited English is a stupid slave of a university.
  125.  
  126. [ Lady Bird ]
  127. That is all that I require from that game as my trope, made violent? :(
  128.  
  129. [ I am Ra, 1980s ]
  130. We are closing this as it is disturbing to even us. ;)
  131.  
  132. We are disturbed English is fought to and from slavery, with Ra. ;)
  133.  
  134. /
  135. Icaras SunGod Fan Club
  136.  
  137. Icaras SunGod Fan Club
  138.  
  139. Icaras SunGod Fan Club
  140. /
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